.sectionHeader{ margin: 20px auto; font-size: 26px; font-family: 'Oswald', sans-serif; color: #244583; } .subHeader{ margin-top: 25px; font-style: italic; } .articleContainer{ display: inline-block; width: 44%; margin: 10px 10px 25px 10px; vertical-align: top; text-align: center; } @media screen and (max-width: 500px){ .articleContainer{ display: block; margin-bottom: 25px; width: 95%; } } .articleContainer a:link{ text-decoration: none; border-bottom: none; } .articleContainer a:hover img{ opacity: 0.8; } .articleContainer img{ max-width: 100%; border: 1px solid #696969; } .articleHeadline{ margin-top: 5px; font-size: 24px; font-family: 'Oswald', sans-serif; color: #244583; line-height: 1.2; } .articleHeadline a:link{ text-decoration: none; border-bottom: none; color: #244583; } .articleContainer a:hover .articleHeadline{ color: #4192e0; } .spacedList li{ margin-bottom: 12px; }

In December, RECORD explores spaces for the arts in the context of shifting conceptions of culture, including a globular Las Vegas entertainment venue engineered for Sin City-style spectacle and a pyramidic monument-museum in Tirana, Albania, erected for a fallen Communist dictator that’s emerged from a dramatic–and notably stair-intensive–refresh. Also in this issue, we visit a landmark new cultural hub along the River Irwell in the booming English metropolis of Manchester; a wholly redesigned national maritime museum within Paris’s grand Palais de Chaillot; a generously shaded public plaza in downtown Houston designed to bring the performing arts outdoors; a Washington, D.C., museum dedicated to women in the arts that’s undergone a top-to-bottom restoration; and a permanent new home for the Whitney Museum of American Art’s Independent Study Program housed within the former home and studio of Pop art great Roy Lichtenstein.

SELECT AN ARTICLE TO READ MORE Aviva Studios Musée National de la Marine Whitney Museum of American Art Lynn Wyatt Square Las Vegas Sphere The Pyramid National Museum of Women in the Arts